Overtries to be massy and makes every actor to hyper-act. The only difference is that this movie overstays its welcome. But by lowering the bar every time, he isn’t helping himself.Īnalysis:: The movie is a loud atrocious comedy like all the other three.
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If he can hire a sensible writer and see that his films have actors with characters than just bring caricatures, maybe the series might have an even longer life. How times can Raghava be a man-child and for how many more times can Kovai Sarala be the loud mother? There is nothing wrong in following a template but in the name of doing something big, creating such cheap comedy, definitely hurts. He could make something work once and in the name of mass, he is trying hard to make it work again and again, by degrading it further. Raghava Lawrence as a writer and director doesn’t really care about sensibilities. SS Thaman’s BGM tries to compliment the film by being even more louder and silly. But there is nothing to talk about really as they are no shots that deserve mentioning.ĭoopaadoo’s music is really an ear sore piece. Vetri, Sarvesh Murari do their best to make the camera work feel rich. Sadly, this cut doesn’t really feel like it has any weight to it. Technicalities:: Ruben as an editor might have had to see this film 50 or more times to feel that this cut works. Kovali Sarala, Sriram, and others scream as loud as they can. Nikki Tamboli is just there to fill the screen. Vedhika too is just there to make weird faces and climb on Lawrence. But the way, he portrays emotions and acts, one feels like he lives in his own world and even acts as he belongs to just that world. He hearts bleed for downtrodden, outcast and poor people. Performances:: Raghava Lawrence is a good guy. They need vengeance, could they attain? Find out in the theatres … Kali (Lawrence) is a good guy who runs his mother’s Radhamma Ashram with just a good heart and not money. Like always, a person kills someone ruthlessly and this person becomes the ghost.